When Tamron announced their new 28-75 full frame lens designed for the Sony E-mount I had mixed feelings at first. Why would we need another lens in this focal range when we already have the amazing Sony 24-70 f / 2.8 G-master? On the other hand I was very excited to see a lens like Tamron starting to design lenses specifically for the Sony E-mount. This was great news on it's own, but why start with the 28-75? I love extreme wide-angle lenses. The 28-75 zoom range is a range I actually rarely use. I usually carry my 12-24 or 16-35, a 50mm prime and then a 70-300 or 100-400 meaning I skip the entire 24-70 or (or in Tamron's case the 28-75).
Interview with underwater photographer James Ferrara. Two and a half years ago, I only used a head-mounted action video camera and knew nothing about photography. I wanted to share my underwater adventures the way I saw it through my own eyes, but found it hard to capture those moments through a video screenshot. A photographer friend of mine watched me struggle to edit these screen shots and said, “you’ve got a good eye for photography, you just need some better gear to produce a quality image that you can perfect in post production.” The next week I bought my first Sony camera &
underwater housing and have been hooked ever since!
Sony Kando 2.0. Where do I even start? After finding out I was one of the few accepted to attend, I spent just about every passing moment “geeking” out over the sweet gear I'd hopefully get to use, the renowned artists I'd likely have the chance to meet, & the incredible amount of guidance, inspiration, and knowledge I'd surely absorb over the course of 4 days. Trust me, Sony did NOT disappoint. The moment the bus pulled onto the Asilomar Conference Grounds I knew I was in for a treat.
In this article, I’m going to cover, step-by-step, how to start a photography business in North Carolina.Don't worry, if you live outside of North Carolina, you'll still find this post helpful. Just be sure to check the local laws in your city and state.
Here are a few photographers with some amazing work. In no particular order.
Here’s the scoop: I moved from Canon to Fuji in late 2016 when Fuji released the XT-2. Fuji changed my entire world. It introduced me to the world of mirrorless and I ain’t never going back to DSLR life!
For years I have been very frugal with memory cards for my Sony A7RII. I have been using the SanDisk Extreme Pro 95mb/s 64gb and the PNY Elite 95mb/s 128gb (a very underrated card) because I was mainly shooting landscapes and cityscapes. As my kids grew older and became more active with club sports and along with my ever-growing business, I decided to upgrade and give these Sony SDXC UHS-II cards a try.
I wanted to share with everyone some night photos I took with the new Sony A7RIII to show how the now infamous, and according to some unforgivable, "Star Eater" algorithm on the Sony A7 series cameras.
If you're not familiar with the issue, it's basically anything longer than a 3.2s exposure will get a noise reduction applied to help fix hot pixels.
For this video Manny used both the Sony A7RIII and the Sony A7II on a New York City rooftop. This was his first rooftop shoot, so he was pretty excited. Also check out how he handles some of the harsh light and what he does to create the perfect image.